Contents - 6[-]Acknowledgements - 8[-]Prologue Men with Glass Bodies - 10[-]Introduction - 12[-]Performance Documentation 1: Holoman; Digital Cadaver - 24[-]Digital Cadavers and Virtual Dissection - 30[-]'Who Were You?': The Visible and the Visceral - 50[-]Performance Documentation 2: Excavations : Fresh but Rotten - 68[-]The Anatomy Lesson of Professor Moxham - 76[-]'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre - 94[-]Performance Documentation 3: De Anatomische Les - 112[-]Of Dissection and Technologies of Culture in Actor Training Programs - an Example from 1960s West Germany - 114[-]Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenologyin Early Modern Europe - 130[-]Performance Documentation 4: Camillo - Memo 4.0: The Cabinet of Memories - A Tear Donnor Session - 148[-]Martin , Massumi , and The Matrix - 152[-]Performance Documentation 5: sensing presence no. 1: performing a hyperlink system - 166[-]'Where Are You Now?': Locating the Body in Contemporary Performance - 170[-]Performance Documentation 6: Under My Skin - 182[-]Anatomies of Live Art - 188[-]Performance Documentation 7: Crash - 206[-]Restaging the Monstrous - 212[-]Delirium of the Flesh: 'All the Dead Voices' in the Space of the Now - 224[-]Performance Documentation 8: Körper - 246[-]Operating Theatres: Body-bits and a Post-apartheid Aesthetics - 252[-]Index - 264In de bundel Anatomy Live gaan verschillende wetenschappers in op de relatie tussen de geschiedenis van het anatomische lichaam en het theater. In de openbare ontledingen in het historische anatomische theater van de vroege renaissance werd de basis gelegd voor wat in de daaropvolgende eeuwen het wetenschappelijke beeld van het lichaam zou gaan bep