List of FiguresAcknowledgementsAbbreviationsIntroductionPart 1: Experiential PerceivingsEncounter 1: An Absent BookChapter 1: The Phenomenal Photobook: Sensory Perception and TimeEncounter 2: Another Black Darkness, Sakiko NomuraChapter 2: Social Sense-Making: Readers and SubjectivityPart 2: Discursive MatterEncounter 3: A Stranger in My Mother’s Kitchen, Celine MarchbankChapter 3: Issues with Bookishness: Photobooks and Book CulturePart 3: Epistemic EnvironmentsEncounter 4: Photobook Fair DiariesChapter 4: Sites of Photobook ProductionEncounter 5: From Here to Eternity, Sunil GuptaChapter 5: Labels That Stick: Photobooks and InstitutionsPart 4: Expanded EncountersEncounter 6: Sent a Letter, Dayanita SinghChapter 6: Plurality and MutabilityEncounter 7: In Flagrante, Chris KillipChapter 7: Encounters Remembered, Re-mediated, ReimaginedConclusionAppendix: List of Photobook EncountersNotesBibliographyIndexThe materiality of photobooks.Photobooks are an art form on the move. They travel physically, as copies are bought, traded, treasured, forgotten, and rediscovered around the world. They move conceptually, as their meanings evolve through changing use and value. Photobooks combine languages of photography, text and design into a distinct medium that breaks from the confines of galleries and libraries, entering unexpected or intimate environments, such as our homes.Encounters with Photobooks marks a shift in scholarship by showing how meaningful experiences with photobooks are shaped by the situated, material, and political circumstances of these encounters. Weaving together creative writing about photobook encounters with critical traditions in museology, phenomenology, art history, new materialism, and feminist praxis, this innovative book illuminates the photobook’s multiplicity: its unique potential for its many copies to matter differently to makers and readers in each momentary encounter.