Part I[-]Introduction: Hiding Making - Showing Creation. The Afterlife of Studio Topoi in the Nineteenth Century - Sandra Kisters[-]1. Studio Matters: Materials, Instruments and Artistic Processes - Monika Wagner[-]2. Jean-Léon Gérôme, His Badger and His Studio - Matthias Krüger[-]3. Showing Making in Courbet's The Painter's Atelier - Petra ten-Doesschate Chu[-]4. Making and Creating: The Painted Palette in late Nineteenth-Century Dutch Painting - Terry van Druten[-]5. 14 rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau - Maarten Liefooghe[-]6. The Artist as Centerpiece. The Image of the Artist in Studio Photographs in the Nineteenth Century - Mayken Jonkman[-][-]Part II[-]Introduction: Hiding Making - Showing Creation. Forms and Functions of the Studio from the Twentieth Century to Today - Rachel Esner[-]7. The Studio as Mediator - Frank Reijnders[-]8. Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings - Matthias Noell[-]9. Studio, Storage, Legend. The Work of Hiding: Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) - Beatrice von Bismarck[-]10. The Empty Studio: Bruce Nauman's Studio Films - Eric de Bruyn[-]11. Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur - Wouter Davidts[-]12. Sarah de Rijke - Staging the Studio: Enacting Artful Realities through Digital Photography[-][-]Epilogue: -Good Art Theory Must Smell of the Studio. Towards a Theory of Studio Practice -[-]Ann-Sophie Lehmann[-]studio Rachel Esner is Universitair docent in Kunst van de Nieuwste Tijd aan de Universiteit van Amsterdam.||Gabriël C.L.M. Bakkum (1963) was tien jaar als promovendus verbonden aan de UvA en was vervolgens docent aan de afdelingen Klassieke Taal- en Cultuur en Theologie.