p. 5VOICES IN THE ATTIC - text by Sanneke Huismanp.12 Attic Memory / Executorp.25Bedrock / Slatep.36 Attic Memory / Navigatorp.49 Bedrock / Conglomeratep.60Attic Memory / Specter p.73I'VE NEVER FELT MORE CONNECTED TO A KEYBOARD THAN AFTER RECREATING ONE - interview by Marijn Brilp.84Attic Memory / Pilgrimp.97Bedrock / Quartzp.108Attic Memory / Out of Mindp.121Bedrock / Dioritep.132 Attic Memory / Out of Sightp.145BACKGROUNDA reflection on Ruben Mols’ exhibition Moving & Storage, this publication guides readers through each artwork, exploring themes of sculpture, technology, and shifting material cultures.Ruben Mols / Moving & Storage A reflection on the exhibition 'Moving & Storage' by Dutch artist Ruben Mols (NL, b.1991). The publication acts as a walk around the exhibition, zooming in into every artwork and exploring it's themes and ideas through accompanying texts.The text Voices in the Attic by art historian and curator Sanneke Huisman introduces the presentation and situates it within a broader historical framework. The interview “I’ve Never Felt More Connected to a Keyboard Than After Recreating One,” conducted by curator and writer Marijn Bril, offers valuable insight into the production process and conceptual reasoning behind the Attic Memory and Bedrock sculpture series. Mols explores ideas about the sculptural medium, set against fluid, ever-evolving technologies and the markets that drive them — moving from cultures of stone to cultures of clouds, the evaporation of physical processes and loss of tangible qualities. Designed by Chris Boender.