PrefaceChapter 1 Introduction1.1 Aims and approach1.2 Sources: the sample collection1.3 Sources: literature1.4 Structure of this thesisChapter 2 Spirits and women in Egypt2.1 Origins and dissemination of zār2.2 Spirit engagement and the world of women2.3 zārChapter 3 Collected Objects3.1 The curious case of the missing jewellery: published objects3.2 To have and to hold: collected objects3.3 Disassociation from primary lifeChapter 4 Living Objects4.1 Challenges in interpreting decontextualised objects4.2 Humans, spirits and objects4.3 zār jewellery in everyday lifeChapter 5 Historic Objects5.1 Materialised memory5.2 Three case studies5.3 The sample collection as a historic sourceChapter 6 The world of zār jewellery6.1 The people of zār6.2 Long-term changes in zār6.3 The origin of the Egyptian zār power objectsChapter 7 ConclusionsBibliographyAppendix 1 The costs of a zār: a case study from 1913Appendix 2 Glossary of termsAcknowledgementsCatalogueIn the 19th century an African possession cult called zār arrived in Egypt and became hugely popular. Jewellery formed an integral part of this cult, and silver pendants with images of spirits started to appear in the early 20th century. And there is more: zār also used beaded jewellery as well as a wide range of other jewels.Currently, jewellery items with spirit images are sought-after collectors’ items, present in collections of both private collectors and museums. These collections also hold a wide variety of other pieces called ‘zār jewellery’, and many jewellery pieces labelled ‘zār’ are available online. But what is ‘zār jewellery’, exactly?With collectors, curators, historians and ethnographers in mind, Silver of the Possessed places jewellery of the Egyptian zār in its cultural and historical context. A catalogue of previously unpublished jewellery in private collections illustrates the changes in this jewellery over the course of nearly a century, while the book itself addresses Egyptian zār jewellery from multiple angles.First, it analyses how our current understanding of this jewellery has evolved through collecting and publishing. Examining its cultural background in African possession cults results in a new insight of the many roles jewellery played in zār, observing jewellery as a financial asset allows us to grasp its implications for household economy dynamics, while looking at jewellery in a diachronic perspective may even reveal changes in the ritual itself. Finally, this study explores its potential as an actual historic source: these jewellery items shed light on the world view of their wearers, and as such form an unexpected additional source for late 19th and early 20th century Egypt.