— List of Illustrations — List of Abbreviations— Han Lamers, Bettina Reitz-Joosse, and Valerio Sanzotta, Introduction: Studies in the Latin Literature and Epigraphyof Italian Fascism — Dirk Sacré, Die neulateinische Literatur in Mussolinis Italien: Eine Einführung — Paolo Fedeli, Uso e abuso della poesia di Orazio nelle odi al Duce e al fascismo — William M. Barton, Pastoral and the Italian Landscape in the ventennio fascista: Natural Themes in the LatinPoetry of F. Sofia Alessio, G. Mazza, and L. Illuminati — Johanna Luggin, Imperium iam tandem Italiae restitutum est. Lateinische Übersetzungen der Reden Mussoliniszum faschistischen Imperium — Wolfgang Strobl, In honorem et memoriam fortissimorum virorum… Zur präfaschistischen und faschistischenBiografie einer Römischen Inschrift — Antonino Nastasi, L’epigrafia in latino negli anni del fascismo. L’uso dei classici tra continuità e fratture — Dirk Sacré, The Certamen Hoeufftianum During the ventennio fascista: An Exploration (With UnpublishedPoems by Vittorio Genovesi and Giuseppe Favaro) Instrumentum bibliographicum— Xavier van Binnebeke, Hoeufft’s Legacy: Neo-Latin Poetry in the Archive of the Certamen PoeticumHoeufftianum (1923-1943) — Bibliography — General IndexFirst collected volume dealing with the use of Latin under FascismThis book deals with the use of Latin as a literary and epigraphic language under Italian Fascism (1922-1943). The myth of Rome lay at the heart of Italian Fascist ideology, and the ancient language of Rome, too, played an important role in the regime's cultural politics. This collection deepens our understanding of 'Fascist Latinity', presents a range of previously little-known material, and opens up a number of new avenues of research. The chapters explore the pivotal role of Latin in constructing a link between ancient Rome and Fascist Italy; the different social and cultural contexts in which Latin texts functioned in the ventennio fascista; and the way in which 'Fascist Latinity' relied on, and manipulated, the 'myth of Rome' of late nineteenth- and early twentieth-century Italy.This book deals with the use of Latin as a literary and epigraphic language under Italian Fascism (1922–1943). The myth of Rome lay at the heart of Italian Fascist ideology, and the ancient language of Rome, too, played an important role in the regime’s cultural politics. This collection deepens our understanding of ‘Fascist Latinity’, presents a range of previously little-known material, and opens up a number of new avenues of research. The chapters explore the pivotal role of Latin in constructing a link between ancient Rome and Fascist Italy; the different social and cultural contexts in which Latin texts functioned in the ventennio fascista; and the way in which ‘Fascist Latinity’ relied on, and manipulated, the ‘myth of Rome’ of late nineteenth- and early twentieth-century Italy.Contributors: William Barton (Ludwig Boltzmann Institute for Neo-Latin Studies), Xavier van Binnebeke (KU Leuven), Paolo Fedeli (Università degli Studi di Bari Aldo Moro), Han Lamers (University of Oslo), Johanna Luggin (Ludwig Boltzmann Institute for Neo-Latin Studies), Antonino Nastasi (Rome), Bettina Reitz-Joosse (University of Groningen), Dirk Sacré (KU Leuven), Valerio Sanzotta (Ludwig Boltzmann Institute for Neo-Latin Studies), Wolfgang Strobl (Toblach).