
The Bold and the Beautiful in Flemish Portraits
Hardback400 pagina’sEngelsLeverbaar
BOEKFICHE The Bold and the Beautiful - In Flemish Portraits
Men in stately black, women with huge ruffs, children with golden rattles, old women with wizened faces, and self-satisfied artists… These are the main players in just about every portrait ever painted in the Southern Netherlands. From the fifteenth to the seventeenth centuries, the tract of land that we today call Flanders was the economic, cultural, intellectual and financial heart of Europe. And money flows – with everyone who could afford it investing in a portrait.
Today, these cherished status symbols of the past have largely lost their original significance. But beyond their functional and emotional aspects, these portraits turn their subjects into gateways to the past. This book takes masterpieces from the collection of The Phoebus Foundation and outlines the broad context in which they came into being, peeling back levels of meaning like the layers of an onion. Whether captured in an impressive Rubens or Van Dyck, or an intimate portrait by a forgotten artist, the persons portrayed were once flesh and blood, each with their own peculiarities, hidden agendas and ambitions. Some portraits are very personal and hyper-individual. Others are a little dusty, the ladies and gentleman being children of their time. In most cases, however, their dreams and aspirations are surprisingly timeless and soberingly recognisable.
The Bold and the Beautiful is an appointment with history: a meeting through portraiture with men and women from bygone centuries. But for those willing to look closely, the border between the present and the past is paper-thin.
THE STORY OF FLEMISH PORTRAITURE TOLD THROUGH MASTERPIECES IN THE COLLECTION OF THE PHOEBUS FOUNDATION.
Published on the occasion of the exhibition Blind Date. Portretten met blikken en blozen, from 14.03.2020 to 31.12.2020 in Snijders&Rockoxhuis Antwerp, curated by dr. Katharina Van Cauteren & Hildegard Van de Velde with a scenography by Walter Van Beirendonck.
• 29 x 25 cm
• 400 pages
• Hardcover
• € 60
• Quadrichromy
• English edition
• ISBN 978 94 6388 740 3
Men in stately black, women with huge ruffs, children with golden rattles, old women with wizened faces, and self-satisfied artists… These are the main players in just about every portrait ever painted in the Southern Netherlands. From the fifteenth to the seventeenth centuries, the tract of land that we today call Flanders was the economic, cultural, intellectual and financial heart of Europe. And money flows – with everyone who could afford it investing in a portrait.
Today, these cherished status symbols of the past have largely lost their original significance. But beyond their functional and emotional aspects, these portraits turn their subjects into gateways to the past. This book takes masterpieces from the collection of The Phoebus Foundation and outlines the broad context in which they came into being, peeling back levels of meaning like the layers of an onion. Whether captured in an impressive Rubens or Van Dyck, or an intimate portrait by a forgotten artist, the persons portrayed were once flesh and blood, each with their own peculiarities, hidden agendas and ambitions. Some portraits are very personal and hyper-individual. Others are a little dusty, the ladies and gentleman being children of their time. In most cases, however, their dreams and aspirations are surprisingly timeless and soberingly recognisable.
The Bold and the Beautiful is an appointment with history: a meeting through portraiture with men and women from bygone centuries. But for those willing to look closely, the border between the present and the past is paper-thin.
THE STORY OF FLEMISH PORTRAITURE TOLD THROUGH MASTERPIECES IN THE COLLECTION OF THE PHOEBUS FOUNDATION.
Published on the occasion of the exhibition Blind Date. Portretten met blikken en blozen, from 14.03.2020 to 31.12.2020 in Snijders&Rockoxhuis Antwerp, curated by dr. Katharina Van Cauteren & Hildegard Van de Velde with a scenography by Walter Van Beirendonck.
• 29 x 25 cm
• 400 pages
• Hardcover
• € 60
• Quadrichromy
• English edition
• ISBN 978 94 6388 740 3
In het kort
ISBN-13
9789463887403
Uitgever
Verschenen
11 maart 2020
Imprint
Bibliografisch
ISBN-139789463887403
Editie1
TaalEngels eng
Pagina’s400
GeïllustreerdNee
Uitgave
UitgeverMeta4Books vzw
ImprintHannibal
CB-relatie-id8592217
Verschenen11 maart 2020
StatusLeverbaar 04
BeschikbaarheidBeschikbaar 20
Adviesprijs (incl. btw)€ 60,00
Vorm & inhoud
ProductvormHardback BB
SamenstellingLos product
Classificatie
NUR (hoofd)Monografieën (kunst) 642
NUR (alle)642 Monografieën (kunst)
Medewerkers
Auteur A01Katharina Van Cauteren
Auteur A01Nils Bütttner
Auteur A01Matthias Ubl
Auteur A01Hildegard Van de Velde
Herkomst
MeldingBevestigd bij publicatie 03
Bijgewerkt6 augustus 2026
Lijkt op dit boek
CB-relatie 8592217 · Bijgewerkt 6 augustus 2026









